Sunday, November 1, 2009
Featured Poet: Raymond Neely
Wednesday, September 30, 2009
Featured Poet: Luis Cuauhtemoc Berriozabal
poetry and short stories. He lives in
Los Angeles County. His latest chapbook, Overcome, was published by Kendra
Steiner Editions, and it is a
collaborative effort with photographer, Cynthia Etheridge.
WITHOUT TELEVISION
The news of another murder on television,
or the news of crooks getting away scot-free
makes me long for the days I watched cartoons.
In those days there were fewer murders.
I could do without television.
I would just stare at mirrors instead.
I would watch myself at noontime
eating an apple. In the evening
I would change the mirrors to another room.
I do not need television.
Maybe without it there would be fewer murders.
Perhaps there would be more.
I think I would read a book instead.
I could turn on the radio
and listen to the untalented musicians
on the popular music stations.
I would complain about what happened to
good music. A mirror would break.
I would long for the days of TV.
The news of murders and crooks would return.
In the evening I would lock all my doors.
THE SOFT EVENING
In the soft evening
we sing without sound
and carve our hearts
and dig out the pumpkin seeds.
Broken of heart we eat
of what is left of it
and descend into the abyss.
THE MOON’S DISEASE
On this night the moon
is not easy to look at.
Its light fills my nose
with a pungent scent.
My lips turn blue and
cold. The distant moon infects
me with a sadness
I cannot escape.
I pace aimlessly
in the black night with the
devils of the soul
whispering to me
to give up my soul to
them for a night of joy.
I become moist with
sweat and defend my
sick heart with silence.
More awake than ever I
keep my soul hostage.
It is all I have.
Unlike my heart, my
soul is intact.
Still I shiver from the
moon’s disease as I
walk in confusion like
a lost child. When I cry out
it is my soul, which
reverberates on
this night, where the moon
is an eyesore. It
fills me with sadness.
I cannot escape.
Tuesday, September 29, 2009
Featured Poet: William Stoneberger
Tuesday, September 22, 2009
Featured Poet: James Dye
James Jason Dye is a 26-year-old college student from Dubuque Iowa. He is a new writer whose poetry can be found on various publications such as Ampersand, Dogzplot, Poor Mojo’s Almanac, The Clockwise Cat, Aphelion, Calliope Nerve and Public Republic. He can be reached at jamesjdye@hotmail.com or check out his blog at http://jamesjdye.blogspot.com. You can also download his free poetry e-book at www.poemhunter.com
The Rose Again
The rose again above the mountain goes up the valley down. The wind lifts it off the ground its gravity pulling back around.
Ambush arose from its seat. A pillar of smoke arose in defeat.
The sun bowed down again.
The Fate of Night and Day
Darkness boasts the night. The Sun is down. Evening settles in.
The thickness blackens. Heavy is the weight. The gloom stagnates. The mass curdles.
Twilight congeals. It consumes the whole world. In the morning Dawn mourns.
Thursday, August 27, 2009
OSFR is back!
Tuesday, July 21, 2009
Summer Hiatus
Friday, June 19, 2009
Featured Poet: H.E. Mantel
Monday, June 8, 2009
Featured Poet: Peter Magliocco
Thursday, June 4, 2009
Featured Poet: Alfonso Colasuonno
Alfonso is a friend who has read at OSFR I and has some new poems he'd like to share. Please enjoy!
QUICK PLUG: While I am on the subject of enjoyment, I recommend suckas who gots to know check out Juliet Cook's 13 Myna Birds. Really interesting design and format of rotating poems; many imagistic, expository, and confessional...all really damn good.
Alfonso Colasuonno is a 25 year old writer based out of Brooklyn, New York. He is a former New York City secondary school teacher. He graduated Beloit College with a BA in Creative Writing. This is his second submission to O Sweet Flowery Roses and has also been a performer at an O Sweet Flowery Roses-sponsored event.
MANIFESTO
Regarding your “poetry” -
It is not complex enough
Nor is it obscure enough
To catch even a faint glimpse of my eye.
The beauty of poetry
Is that it leaves the proletariat
Completely baffled as to what you mean.
Your writing is as obvious
As the cumshot
At the end of a porno.
You hit people over the head
With your arcing stream of ideas.
That is not poetry.
Maybe it is spoken word.
It doesn't have the staccato
The rhythm
The je ne sais quoi
Of poetry.
I have never heard
Something as complementary of my work.
No, this is not poetry
That you learn in classrooms
Or from going to readings
And it never aimed to be.
A visceral reaction
A laugh
A cringe
A masturbation break
This is what I aim for
Not bored applause
Like you aim for.
BAD EDUCATION
I live a life of multiplicities
Responsible for the future of this country
A New York City schoolteacher.
Gutterpunk? (On weekends?)
My preferred mode of dress is a ratty t-shirt
With a picture of Exene Cervenka
And a pair of jeans with holes at the kneecaps
And Eurotrash written in black marker on the pant leg
Like a wrestler's iconography on his tights
Signaling to all parties
A false delusion.
Yet, still, I wear the suit and tie
Monday through Friday
8 to 4
I suck Joel Klein’s cock.
I do it by the book.
How do I react inside those four walls?
Student comes in blazed
Out of his mind.
Reminds me of someone quite familiar
And how false it is to say - “get yourself together”
When having a few drinks later in the day
Crack up at the thought.
I think back to same student and wonder:
Am I really getting that old and yawn-mouthed
That a student needs to show up high to enjoy my class?
And then I realize he is not enjoying my class at all
But the company of his comrade in the next seat.
Question: Did I ever do that?
No. I stifled my laughter.
I respected my teachers.
I tell myself these lies
Until they become truths.
Am I doing a good job?
Can I say what I want to say? No!
The trick to education is knowing one golden rule
Your teachers are full of shit.
A trip to the principal’s office
And a great big unsatisfactory on my teaching record.
I’ve lost control:
Classroom
Self
Severance pay
Big fat j
On the dole
Back to bumming
Reading Bukowski
Drinking heavily
In short, a rubber room existence. There is no such thing as fate.
American Spirit
You have a high pitched voice
An anxious tremor
Resonating to the stratosphere
As if your lungs were never consumed with internal clouds of mist
Sucked in like steamboats in vile vortices
Smoke from a thousand fags
Ashes staining your fingernails yellow
Disguised under press-on nails
And teeth off white
Remedied by Crest white strips
And brushing at least three times a day
In painstaking circular motion
And time permitting, vertically and horizontally, as well.
But you still have a smoker's cough
And your perfume doesn't hide
The smell of countless nicotine cravings.
Monday, June 1, 2009
Featured Poet: Dr. Kane X. Faucher
Gueule
(a slav-ish raillery in no parts)
--…trouvez…
--…amusant mais…
--…voyons…
--…tellement / camoufle…
--…fond…
--…vendre!...
--…mort…(.)
Scandallion standala y catapostrophe.
Bas alt relief belie goncourtier
\?--:…rue the infinite gimmegimmick a la
Moi-toi
NRF(I)NRF(II) dire la roches-elle dans un
Et Gaston IIieme dans deux 1953.
Ecrirez-pas babelogue
Insta instro insitu insu introck.
Ref fer ere frere ren enc yclo clochard hark arkhe.
Logoglissade/Wordgliding
(a fenceless optical zone)
Depistillated sermonizing wavebreak,
Immense pillar of talking flesh
<
& the great sewer of existence underlorded
Papal cyborgs &
How God subcontracted Adam to name things.
I walk / unkempt millennium garden / public works project
Failure / empty beer bottle by bathtub / she and bubble /
Abducted from Oshawa / portable office relocate @ bar /
New fonts derivative / syncategoreme / portfolio construction
Professionalization anti-seminar / non-marketability aspects of
Doctorate.\ move to Vancouver \ organizations strategies \
Collaborate with and learn from here \ midstroke.--
Mauditerre
The future threatens
to make us seem quaint and ridiculous.
while the applause
has died away well before we arrived.
Mode juste today,
critical gaffe tomorrow.
We who write now will be subject
to cruel normalization
and barbaric standardization,
lost somewhere in a canon
the young are forced begrudgingly to honour
The political choices we make today may feel right.
Tomorrow will judge us harshly
and we will be condemned.
The future is like that: and it has the luxury
of history and consequence -
we should have known better becomes our epitaph.
The future will consign us to haunt the earth
spurned devils and the mark of Cain.
Our actions, once laudable, become burdens
as death renders us mute and indefensible.
Thursday, May 28, 2009
ProblemZ
Yes, being an internet journal has it's high points. For one, you get to use a "z" instead of an "s" without feeling shame down to your bones. Also, I get to instantly publish poems for any and all to read at any point. I've heard a lot of people (myself included, in the past) go on and on about the importance of print poetry journals, but for what OSFR is, it could only really function on a website at this point.
But there are some low points, too. Blooger sucks. Yes, I said it. Though I am not good with computers and will have to do major research and work to figure out how to start a new website with all the previous posts included. The main issue I have now is with commenting...apparently people are having a hard time doing it. Not sure what to tell you...it seems to work fine if you have gmail (or any sort of google account).
Formatting has been a problem for me as well. Not sure why, but the blog has seemed to become self-aware and decided that it dislikes formatting poems correctly. While I constantly try to get it to say its name backwards to make it vanish into another dimension, I still have to work hard to get it to correctly format poems with kooky fonts or wacky line/stanza breaks. Be aware that formatting can sometimes be hard; bear with me.
Anyway, keep submitting, and if you're in Chicago, by golly sign up to read!
-Russell
Wednesday, May 27, 2009
Featured Poet: Peycho Kanev
Tuesday, May 26, 2009
Re-featured poet: Barry Frauman
Happy belated Memorial Day from the (Russell, oft-involved Becky, friends) staff of O Sweet Flowery Roses! Please find more poems from Barry Frauman below. No, we are not hard up for submissions quite yet, but Barry is the first poet signed up for the Super Duper Blowout Chicago Reading (date, time, et. al: TBA)!
Let me know if'n your down to read and I'll put you up on the list!
MEMORIAL DAY
I dreamt of you Tony in morning twilight,
that you were admitted to hospital care
not sick, not well,
that I was your room-mate,
not ill at all.
You wore silk pajamas, white, I think,
your hair thick and dark, a few strands of gray.
Your body flourished, exciting and strong,
I ached to sex you.
Instead we unpacked, each one for the other,
together, happy.
We talked long and warmly about... can’t recall,
more friendship of love than in stormy life-days,
the tension of AIDS.
TWO LOVES
he first of my heart is quiet, certain
and serene as all the Buddhas.
When I err, when for a fraction of a second
I am not quite honest, the motion of his eyes,
their change of light, point back the truth to me
with no less love than in our perfect harmony.
He is my soul.
* * * * *
My other love maintains there is no soul
there is no God
there is no human life
outside the robot masses of our time
stampeding all his words into my brain;
yet deep within, his fury seeks affection:
At a crowded café, not too gay,
he cornered me with a hug;
and then one night, good-bye at his door,
he beamed when I kissed his beautiful face.
* * * * *
The eyes of my soul are in white white skin
under jetblack hair.
He is young-tree slender and elastic,
shoulders open and embracing
even when his arms are down.
The breeze nestles in his thick black thatch,
dreaming of eternal June, and he has
the soul of a tree in young manhood,
sometimes playful, more often stilled
in the half-smile of serene growing.
* * * * *
He calls himself fat, that's a laugh,
short wiry devil-dark mustache,
eyes of gray lightning.
* * * * *
Hello to you! Yes to you!
From all my soul to all my soul I call.
You are the tree in whose branches I nestle,
the lightning will not strike.
Your faults are like a summer shower,
soon to dry away.
* * * * *
Leaping to your feet? still fast asleep?
Thinking of you, wondering how you are,
I wake up late and slowly Sunday morning,
glasses on the table from last evening
stilled into the memories of fun.
Now silent, mostly empty, they'll sit out
the hour or two until I get to them.
Ever think of weekends you were here?
We've showered music breakfast yes or no,
it doesn't matter all that much,
we've had our sexy talky turbulence.
I won’t approach your nakedness now,
tempting though it is,
but will instead anticipate a lingering good-bye.
What are your plans?
* * * * *
The greatest number of people,
whose kin are family-tree,
would not understand my joy in you,
beloved keeper of our light.
I have small knowledge of your prior years,
I did not see the steps you took
to form the inner workings of your life,
a discipline so perfect and serene,
that you should be a beacon to us all..
You grow and thrive around a core of stillness,
a happy silent purity
toward which my restless spirit stretches endlessly..
You never come to me to lay confusion,
but work a trouble through then hail me
to share your joy in hard-won resolution.
* * * * *
Ten A.M. Sunday thunderhissing discoblitz
you shut the door against the din so we can talk
your rage boils up at years of sexual repression
your lightning strikes the wordhouse you have built
as shelter from the storms you generate.
I lash past your downpouring sentences
to bring my love to your intelligence
and turn your storming elements to sunforce.
Burning tired your head falls to my shoulder
still you say you do not feel love
it must be no right now, maybe not forever,
but firmly for this time you back away.
* * * * *
You let me rant about the world's nonsense,
then you embrace me.
* * * * *
Better this way you say in the labyrinth
of bar-and-bath nightmerchant anonymity.
Better this way than learning in the hurt
of amorous friendship somehow gone awry.
* * * * *
Remember the time you stayed during the week?
I’m sure it was December snowy rainy
muddy morning grumbling down to work.
The sidewalks were in slush,
we made the bus-stop walking in the street.
The night before I’d lain down at your side,
though I still mourned the parting of another.
As we were trudging slave-like in the grayness
toward the dreary obligations of the day,
I felt my guilt glide up into my throat.
With gentle indirection you forgave.
Your compassion that sad day gave birth
to the sweet closeness all our own
that keeps us free of all the cushioned traps
the gray Decembering world sets
to ground the flight of those who love.
* * * * *
You say, "I’ve never felt... whatever it is,
but that's alright, I live from day to day.
If somehow I could change, that would be nice,
but I don't count on anyone, OK?"
* * * * *
In front of your house good-night, I’ll call you soon.
Our hug is long and strong,
and always with the imprint of your face,
you touch me in my quiet tender place.
Tuesday, May 19, 2009
Featured Poet: Felino Soriano
This is Felino Soriano's second submission, but everyone should check out Counterexample Poetics for unfiltered astonishment.
Editor's note: Happy birthday to me!
Felino Soriano (California) is a case manager working with
developmentally and physically disabled adults. He is the editor of
the online journal, Counterexample Poetics,
www.counterexamplepoetics.com, which focuses on International
interpretations of experimental, philosophical, post-postmodern, and
avant-garde poetry, art, and photography. He is the author of five
chapbooks and e-books, including Among the Interrogated (BlazeVOX
[books], 2008) Feeling Through Mirages (Shadow Archer Press, 2008) and
Calling Toward Clarity (Chippens Press, 2009), and also has a
mini-chapbook forthcoming from Wheelhouse Magazine. The internal
collocation of philosophical studies with classic and avant-garde jazz
explains his poetic stimulation. Website: www.felinosoriano.com
Painters’ Exhalations 118 —after Bridget Riley’s Edge of Light
Light needn’t
sky born, or shape create
happenstance
below, soil level
or other
cliché
developed notion decided
on a shelf of
predetermination.
Birds sketch
a clawing scratch
vertical road from sky elsewhere
leading
to twig architecture, feeding opportunity,
as light illuminates in constant etching
into echoes
dissipating
only as dusk hands begin the painting of
exaggerated gray.
Painters’ Exhalations 119 —after Aleksandr Grigor'evich Tyshler’s The Wedding
Somewhat deciphered
by the citizens whose
cataract emotion matches eros
amid walkers during night
purchasing intimacy through
paycheck deposits for
affection laced with
uncertainty and
thought’s edges protruding
the forehead’s soft tissue. Here
the ceremony unfolded structure
capitalizing on sun’s open hand throws
italicizing vows and intertwining reading
of scripture. Hands exchange third finger symbols
casting aside absence for platinum
platitude, though the spectrum of smiles erases
the monotony of the specialized moment.
Painters’ Exhalations 120 —after Mark Cesark’s Grey Area
This is language. Two hands
held in fisted reality
hiding
bodies of truth or fiction
behind the overused back of trickery
asking
choice of relevance above interpretational
guesses.
Human claws at dichotomies. Splaying
too far
from routine brush blends anxiety
into parallel thinking of the body-normality
excusing nervousness
from the eyes’ visual safety.
Many want sharpened edges of black or white. Maze
circles segregated or
introduced into factual tongues
speaking newness—
the area of vellum’s spectrum wide wingspan
creating inability to travel emotionless
away from supported measures
the mind ambulates in complete
control.
Painters’ Exhalations 121 —after José Bedia’s Isla Bonita
Impressionist interpretation of a woman’s
unworn, strapless, high-heeled stiletto. Stilled
away from walking’s many efforts
providing
a layered rendition beautiful faced woman
interrogated by wind’s rhythmic, ugly hands. Trees
border
the silhouette metaphor walking tired
among forest resting near water’s diamond
recreation. If man resides here
soon
the heel will wear, become a broken semblance
of identity prior to the overbearing bludgeon of self
-righteous motives.
Painters’ Exhalations 122 —after Thanet Awsinsiri’s Under the Shade
We proclaim protection. Said by the promise
of illusion. The protected is not
alphabetic dissertations
elaborating the body’s many functions.
The body bare
is at its unpeeled genesis
actuating ensuing movement
if desire overwhelms stagnant
curses tattooing the limbs of
extravagant reason.
Where wind and walls simultaneously converse.
Saturday, May 9, 2009
Friday, May 8, 2009
O SWEET FLOWERY ROSES CHICAGO SUMMER INVASION
Thursday, May 7, 2009
Featured Poet: Mike Berger, PhD
"I am 72 years old. I have a Ph.D. in clinical psychology and was a practicing psychotherapist for 30 years. I am now fully retired. I have authored two books of short stories. I have published in numerous professional journals. I have freelanced for more than 20 years. My humor pieces Clyde and Goliath, Good Grief Columbus, and If Noah Built the Ark Today have won awards. I am now writing poetry full-time. I have many pursuits which include sculpting, painting, gardening and baking bread. My forcaccia is to die for."
BUBBLE BATH
I wondered whether it was like
to take a bubble bath. Born in
the depression, we were too poor
for such frivolous things.
I was too macho for such wussy
things when I was in my teens.
I wouldn't get caught dead in the bath
with 1 million bubbles while I was going
to college.
I didn't have time after I graduated
to indulge in such a frivolity. It was
a quick shower and off to the grind.
Now I'm retired and my wife works.
At last I have my chance. I started
the water and poured in a bottle
of a bubble bath.
Bubbles fill the tub and overflowed
obscuring the bathroom floor. Soon
the stuff was up to my knees. I
struggled to find the tap to turn the
water off.
As I stand here looking at the mass;
I ask what do you do with 1 million bubbles?
I'm thinking I should have waited a little longer
and taking them back after I was dead.
GREEN THUMB
The neighbors yard was a menace.
He never cut the grass. The rosebushes
had died from lack of care and the ivy
on this side of the house were now
stringy brown.
I never saw him go to work. I wondered
what he did. His friends would come at
all hours and played rancorous music
just above a threshold of pain.
They were all rough looking with long hair
and a variety of beards. The women who
must have been easy they had mattresses
strapped to their backs.
In the middle of the night I was awakened
by a thunderous crash. The street outside
what is lined with cars and two police
Van's.
I understand my neighbor has a green
some. The cops haul them all away
along with forty weed plants.
FLAMING GORGE
Twisting Baroque art
etched into vermillion
cliffs It sings a Bach melody.
A dark blue river
provides a foil, highlighting
the mazes of scars
carved deep into
rock.
Brilliant red strata
undulate.
A dizzy labyrinth
Touches streaked red sky.
Sunrays painting specters on
canyon walls as
they chase fickle shadows.
Lonely sagebrush clings.
Deep shadows reigns
where sun light hides.Saturday, May 2, 2009
Robert Walton: Bio and (awesome) author photo
Friday, May 1, 2009
Triple threat: Call for submissions, Applewood Revue event, Robert Walton poem
Why, you should hop on the wild ride and submit poems to O Sweet Flowery Roses.
Yes, event time is upon us once again.
Sean Lyman Frasier + Michael Gorman's Applewood Revue is a-rollin' into Brooklyn on its steam-powered go-matic contraption. The last one of these I went to absolutely brought the house down; it was the kind of magical event that makes people migrate to legendary New York City. The folk songs were fun and uplifting, the poetry was poignient, and the music of the band Go Cat Go was nothing short of a metaphysical feeling wherein the waters of the mind's most beutiful creek flowed between the hard tin camping vessels for water (which doubled as drums) all within the confines of Flushnik Studios. I strongly urge anyone in the NYC area to truck/boat/plane it out for this one.
The details:
Flusnik Studios
698 Flushing Ave
Brooklyn NYC
7:30 PM doors open and FREE food served (Editor's note: the food is really amazing. Do not do like your humble editor and gorp down 9 lbs of pizza before a party with delicious homemade pasta and fresh baked bread)
8:00 PM performances begin
Free Entry, Free Food, Cheap Drinks (You may BYOB)
Spoken word performers: Susan Brennan, Niall Connolly, Liz Afton, Ed Malone, and Sean Lyman Frasier
Musicians: Alexa Woodward, Jo Williamson, Bern and the Brights, and Michael Gorman
Robert Walton didn't send anything but this poem, which I think is befitting of the revival-stylings of the upcoming Applewood Revue performance.
Poem by Robert Walton:
Above Parker Lake
Snowmelt waterfall
Bursting bright,
Crystal tresses flung
Across ebon cliffs -
Impatient girl
With all of time
To brush your hair
But none to spare
This morning.

