Monday, July 28, 2008

Featured Poet: David McLean

"David McLean is Welsh though he has lived in Sweden since 1987. He has a couple of chapbooks out, one a free download at Whyvandalism.com. The other, in print, can be ordered at http://www.erbacce-press.com/#/davidmclean/4527659941. He has a full length poetry collection available at Whistling Shade Press called Cadaver's dance. It can be ordered on alibris.com or on amazon.com. A second book of 128 pp is coming from Erbacce-press in August, "pushing lemmings." There is a self-published book of 109 pages at Lulu called "eating your night" - http://www.lulu.com/content/2756039. There are 550 poems now in, or forthcoming, in round 250 magazines online and/or in print. Details are at his blog at htpp://mourningabortion.blogspot.com."

Aside from being our first international poet megastar (everyone else is just a regular megastar,) David McLean has a name eerily similar to Powerful Women of Wrestling / Women of Wrestling / Glorious Ladies of Wrestling promoter / schlock hawk David McLane. But enough about unimportant nonsense: we have a READING coming up on AUGUST 16, and POEMS RIGHT BELOW THIS PARAGRAPH!

god's mouth we go down on the absences, and it is their juice that waters us like passions and night's replete non-sense. the night is a body straining for the plenitude of being that is an incarnation, the meat itself seeks souls to fill it and holes in the darkness wherein to exist, a god's almost irresistible mouth to eat that being

a Kantian confession Kant's ghost sat on the sofa and admitted the deception, the ploy to pull the sheepish wool over moral eyes in “the form of a law in general," - whence the pious idea came he was clearly not saying - “we were all believers then, or pretended” - he said - a bit of specious reasoning was plain sailing

blades anxiety's rusty razor blades lie between the lids and the eyes, they are like dry dead flowers waiting to decorate that mourning decay, the blood just blackness glowering in the flowing veins - for our gods are flatulent old men today, they shall stand naked in their graves and misspell salvation on their feverish fingers, plucking the drugs from dead eyes, collecting fingers ears and nipples, greedy souvenirs of life. harmless cannibals these amateurish scavengers stand around us, vulgar as vultures, they count psychoses like dinner bells pealing, and wait for us, their well-dressed lunch, they are anonymous mostly though their names are plainly listed on midnight's insomniac ceiling - excuses are seldom sufficient reasons

of dwelling

we do not dwell here but

live, eat, fuck, shit, breathe

and all that crap, but dwell

on the earth here,

in the presence of missing

gods, we do not

fuck no!

i dwell in the instant

which distresses me

by constantly pissing

off, like a faintly scented

memory

you can not dwell

there, if dwell was to remain

in place and abide,

just corpses do that -

we live in distances, absences,

and time

giving it all away and we gave everything away like memories absences and anxiously lingering fingerings. we donated it to a future or a past that was so ancient the very dust had deserted it, and sought better deaths and loves for the worms had tunneled us to a ferocious cannibal fiesta where god gnawed the knuckle bones grown clumsy as lust in reason's luscious skeleton tumbling through this sweaty nothing, a night and its appropriate fucking washed in vulgar vodka, skillfully stolen from tattered words unheard though geared to roll slow over the slimy waters god invented himself under drenched in a minute's oblivion or a devil's loveless cum the meaning and the reason sinking like a penis or a sweating sun (some cum thus undun)

Saturday, July 26, 2008

Introducing...ONSIE TWOSIES

This is the hottest new poetry form sweeping the editor's apartment. Join the Onesie Twosie wave. Here's how they work: A poem is done with a title, underlined, and one line under it. Thus, it's not clear whether it is a one or two line poem, because the function of the title is to elaborate on / juxtapose itself to the first line. Now that you have mastered this confusing form, please enjoy these Onesie Twosies by Russell Jaffe, editor of this site. Please feel free to send your own. OH YEAH. Before I get going, how could I have forgotten to drop another reminder about our *FABULOUS FIRST READING?* Why, it's just one post below this one. Middle class struggle I jammed the copier 5 times today. Plath Revisited Poem, Poem, Poem Freedom to: I've seen many women tattoo the names of their boyfriends and husbands on their arms. Had I realized I would have, still What my heart is: an apple. What my heart is: Variations of (a) skull. The source of it, myself, complaining by night. Candles: most of them blown out. Still a room. The herald of the atomic age my father, smiling, by his new DVD burner Conversations, etc. Uncertainties on an infinite loop. That man's beard wet galloshes Sexton would approve The poem! Oh, paternal poem. I'm building something. What is it? Manta Ray time: wings, shallow water, clouds Coney Island For it is beloved; it must be shut down. Odysseus Camped, looked out; ultimately was. Happy Birthday Becky! Though you ultimately deserve a good one. The Jellyfish No coast. No coast at all. Iron Skillet A floor made of wood. Moths think light bulbs are the moon destined for space, sky, boundless anyway These are Onesie Twosies done collaboratively with Becky Dewing. My favorite day at the ball game. Cats all around us Old age as threatening as my next birthday Cats all around us What'll we do?! An inconsequential act I have it in my head, but I don't know how to say it. Cats all around us at the ball game Whose turn is it? Our turn now. Our turn now: What's that guy doing tomorrow? Seduction of the innocent Photos of babies dressed in costumes. There, I noticed birds: they were chirping and they were- America's favorite pass-time: Growing old with cats. What my heart's made of: cotton candy, thumbtacks, coca-cola. Teresa says, "Don't give up." She's someone I know just ok. This is why I smiled: cats all around us. No water today. No lemonade ever. This is an important list: I'll never give in.

Thursday, July 24, 2008

IT'S OFFICIAL: THE O SWEET FLOWERY READING IS ON!

WHERE:
An urban arts gallery that a close friend of mine (Jonathan Roberts, a musician, writer, artist of all trades sort...you'll meet him at the event) started a few months ago. He has held gallery shows, poetry readings, and concerts there.
698 Flushing Ave. #1F
(1 block from Flushing stop on JMZ, 2 from Flushing stop on G)
Brooklyn (E. Williamsburg/Bushwick)
WHEN:
Saturday, August 16.
7:00 PM
ADMISSION: $2. CHEAP! That's 2 measly bills away from being free.
FEATURED READERS:
Sean Lymon Frasier
Robert Voris
Niina Pollari
David K. Tamura
and yours truly, Russell Jaffe
Come, bring friends, bring family, and for the love of Thanos bring yourself.
THE CLOCK IS TICKING TICKING TICKING
TOWARDS OUR INAUGURAL READING...
MORE UPDATES ON THE WAY! (and fliers)
-Russell Jaffe Editor in Chief

Wednesday, July 23, 2008

Featured Poet: Linda Prussen

"Linda is inspired by the life and works of Sylvia Plath and Dorothy Parker.She believes poetry should be both beautiful and brutal; it is the presenceof one that helps us to recognize the other."
Linda is no stranger to online publishing, and has had poems appear in, to extract directly from her submission email, "Paper Wasp (print), Fresh (printand online), Simply Haiku (online), Word Riot (online), Spiral Bridge(online) and the Processing Unit (online)." I'm certain she and all readers know by now that this site publishes, period, regardless of other sources, but sharing is caring and caring is sweet. Flowery, also, I suppose.
***
She wanted to wave goodbye She looked back at Shelia Shelia with the stringy hair Crooked teeth And mismatched clothes She looked back at Shelia and remembered how In the fourth grade Shelia’s cool hand Felt comforting pressed upon her fevered forehead And how Shelia missed the class field trip to the zoo Along with her Just so she wouldn’t feel alone. She looked back at sophomore Shelia on the bus stop And her stomach started to ache She wanted to wave goodbye But she didn’t Because if she did the girls who were juniors The girls with driver’s licenses The girls that thought she was cool Even though she was only a sophomore like Shelia Wouldn’t understand She hoped Shelia would. She wondered if Shelia would wave If it was she sitting in the bright yellow jeep With the top down And the radio blasting And the boys staring And she knew the answer And that she made the wrong decision In the instant the jeep turned the corner And it was too late to wave anyway.
Just to say goodbye? How can you miss someone you met only once? How can you miss their smile? Their laugh? How quickly their laughter came, When you said something that you hoped was funny, Though it probably wasn’t. Putting you at an ease you never felt before. How can you miss their eyes? The way their eyes looked at you, Warm and welcoming with flashes of heat. Like a summer thunderstorm not yet broke. How can you miss the brush of their lips on your cheek? No stronger than a whisper, As unforgettable as your first kiss, But just a kiss goodbye.
Power Plays His eyes focus on her Warm rays of sunlight His focus wraps around her A flannel blanket Staving off the chill of isolation His interest illuminates her As a spotlight would In front of a million adoring fans Only they share the room Yet to her It is their red carpet Each ordinary day She glows Feeling safe, secure, special His kindness An addiction His eyes begin to wander Their absence Felt more strongly than their presence She darts about Trying in vain to catch a flash Of his brilliant and familiar gaze His seeming distraction Lets icy breezes Into their sanctuary He needn’t be angry, or cruel No need to raise a voice Or hand His malicious withdrawal of attention Less a vicious slap More a slow strangulation As what she has come to need Like oxygen Is slowly taken away Worse even than the total absence Of his attention Is the unrelenting fear of its loss The cold hollow feeling That settles in her chest A wind tunnel of uncertainty At her core A self-fulfilling prophecy Created by The teasing plays at affection Increasingly rare But always hinting at what could be And what could be taken away On a whim On his whim Gasping for breath She lashes out at him His calm and quiet A wall she is unable to shatter Her angry words and gestures Desperate attempts to reignite The fire that lit her life Placidly he states She is angry, unreasonable and needy But he knows The power is not in what’s given But in the taking away Of what one has come to rely on

Saturday, July 19, 2008

Featured Poet: Larry Terry

"I am a career Navy Veteran of over 18-years and am originally from a small town of about 70,000 people in Albany Georgia. I joined the Navy because I wanted to make a difference in the lives of others, and to learn different cultures. I come from a very large family of 9-children (5-sisters & 3-brothers). I don't claim to be an accomplished writer, but I write because I do it from the heart. I love sharing my ideas to an audience that can appreciate my points of view. In fact I have written my first novel, entitled "Looking Into The Eyes Of Evil". The freedom of speech is one of the greatest rights we have in the United States, and I think everyone should be heard, because everyone has something to offer." THAT is an OSFR bio. Bra-vo. Also, I want to note that Larry submitted under the nom-de-plume "San Diego Guy," which is also a good name.

LIFE’S JOURNEY

On one very special day, my Mother brought me into this world; She only wished for a healthy baby, no matter if boy or girl. Learning so much from my upbringing, education was in session; I was taught life's twists & turns, I received so many lessons. In no time at all, I quickly sprouted up like a tree; I received the toughest discipline, because I needed to be the best I could be. When I completed my real life schooling, it was time to branch out on my own; I needed to take my life to the next level, I needed to prove I could make it and demonstrate what I was shown. It was no easy voyage, there were lots of bumps in the road; But remembering what I was taught, I took on some heavy loads. There were many many rough days and I may have been down, but I was never out; Figuring out and correcting my mistakes, now that's what it's all about. Never give up and never quit, that is the motto that I live; I may not immediately reach my goals, but my best step forward is what I give. Life is a big journey, and sometimes the trip can be a real drag; But one thing is for certain, I shall never raise the white flag.

THIS IS WHY I WRITE

Writing makes me feel happy and writing makes me feel free; When I pickup a pen and paper, expressing myself is all I like to be. Whether it be an article or a nice poem, when I focus, the words just seem to flow; It's like a time machine, going back in time, I just relax and let the thoughts go. Sometimes I like to write about happy times, but mostly I just like to write; The visions & memories that I write about, simply reminds me that life is alright. I can travel on a fantastic adventure, and I can venture through memory lane; As I visualize about creative journeys, I see a beautiful world that is still untamed. Escaping this crazy world, if even just for a short while; Feelings I haven't seen in a long time, not since I was a child. Oh what a wonderful feeling I have when I write, so many stories to share; It reminds me how good life can be, what others think, I really don't care. When I get lost in my words, I feel like I can conquer the world; Even if you think you can't write, just try it and give it a whirl.

WINTER IS NO FRIEND OF MINE

It's the changing of seasons and here comes the snow;

No more birds are singing, I wonder where they all go.

I miss the butterflies and even the bees;

The grass is turning brown and there are no fruit in the trees.

The days are short and the nights are just too long;

I miss the sunshine, oh I wish the snow was all gone.

Going to miss the wind in my face, can't let my rag top down;

I love car drives, but until Summer, there is no cruising around town.

Oh it's a very frosty morning, I hate putting on gloves;

Wish I could wear my shorts, but I see a snow storm brewing above.

So much for a picnic in the park, I'll have to wait awhile;

Until Spring is in the air, the beaches will be deserted for miles.

Ice cycles on my window panes, the sight alone makes me shiver;

If I don't light up the furnace, a chilly night is what Winter will deliver.

Eggnog may be a good touch, but I rather be sipping on ice tea;

Cold weather doesn't appeal to me, year long summers are for me.

Until it’s Summer again, I will be inside by eight;

Just like the bears, Winter makes me want to hibernate.

Featured Poet: Christian Williams

"I do not prefer to speak of myself in third person. Christian

Thank you." Well, she doesn't have much to say in the way of a bio. BUT she has a *PHOTO*, and that's an added bonus! Oh yeah...and she has some poems. REMEMBER: It is not too late to sign up for the reading, which will be taking place August 8 or 9. Don't worry, don't worry...the official announcement is coming...enjoy these P O E M S.

Open

Your lips, your heart speaks of kind.

You wish a wish of contentment: a friend would stay

around and talk of the day, maybe the weather and how

it is just right for a walk.

The lillies distictively cultivated to their taste, medicinal.

The characteristics of erect stalks and yellow common sunflowers.

We are growing.

I knock twice, a musical tone for the light hearted.

Would you like to go for a walk?

Gold

Gold. I know nothing of gold. I heard there was gold in California, but that was a long time ago. Mariah Carey has made Glitter since then, and my entire perception has changed. About California and gold. New York, now that is where the crazy people are. Makes me smile. Just walk along and you hear a toot. .. a lady you . Keep walking. A lady needs a drink, and some sex and she offers some of both. if I'm willing for love, if we can find it together. Live happily ever after, Of course I say yes. No, I'm kidding. But, I do politely thank her for the offer extended and keep on walking. I'm on mushrooms. I may be making all this all up. No. yes. This was a long time ago. I don't remember fully walking around the corner of sixth and something French and I hear, "Holy shit! Goddamn! Momma, it's Jesus Christ!", and he's serious. It was Jesus. It was Halloween and Jesus was riding a horse. He may have been a police officer. -He may have been a homosexual. I just wanted to be his friend, talk to him for awhile, ask him where he was from.

I Pray

I pray, and Angel's talk to me. I walk, and Angel's walk beside me. I speak, and God speaks through me. I listen and God knows, I am filled with gratitude, and God blesses me again.

Monday, July 14, 2008

Featured Poet: Michael J. Borey

"My name is Michael J. Borey. I am an undergraduate at Loyola University studying psychology and english. I'm a fan of your blog O Sweet Flowery Roses. I like your content, enthusiasm, and dedication to poetry. I run a literary blog myself including poetry, prose, book/movie reviews, etc @ http://flirting-words.blogspot.com/ Michael J.'s poems have been hiding in my inbox, waiting, crouched, for a leaping attack for some time now. But first: an update. Thanks to all those interested in the reading thus far! You will be receiving a schedule shortly, and it does appear that we will in fact use the space in Williamsburg. Can you smell the mellifluous eddy of hip? Battle at Bombay Pop

my eyelashes are admiring

the hazy reflection drizzle (by)

Bombay pop and bamboo fiddlesticks.

christs, fights, and latch-stick watchtowers.

kites, Roman Candle pipes, and neither bridge is

folly.

this row found hero’s cliff rolling

and cigar smoked hum-lightly

when

there are various starry assessments

to be carved by the

marrow-sharpened interludes

while the green soldier grips

pound grenades, treats the ground kindly,

and loosens the wooing moon.

Nihilistic glass elsewhere remix 2

Swing bike skin tight binge kite spinning and I don’t believe in the outcomes

that were made-- the eyes make shifts the little. Baked break parade for

dinner outloud over an orange candel service. wildebeests playing dice in

the alley, dice of eyes and tattered feet to back, barder and bargain,

reek of all trades. my dear and cratered caves made of cainborrowed bruise,

sage black plaques hide on the walls under plate-glass protective covers

singing for the rain to fall and me to once as drunk stumble over a pile of

rickwack wagons, and rain black or white searches for its twin only on

yesteryears, and leap years. Phantom pigeons In some vein are a hundred

merry-go-rounds. lideadale footprints aside from the moss fern outline

written closed by a distance circle, bulge at the business stressearners.

coyote sewn quilt of a father wed around the birthing stone

Nihilistic glass elsewhere spread the berry beads for the dog and cats

of the world.

Stanford Introduced

caught and wear

the axis knocked the fist full of silver butterfly wings watching from the mistglance moon

then signified before the ground like a truck running over a body

the halo from the venomcollar snake hammers on the bolts of white cloth and says,

“we all had to match at first…”

“…chanting with ink on our tongues when the wide world is resting”

the clocktower explains out and the wire in the walls finds that

loose lacestring bleeding foxblood around your neck like a

fin on the whim with the wing and the

halo sweats ahead and says,

“if I have to resist the tugboat in the water”

“you’re not going to solidify!”

we sit in the patch of dark yellow lakeside flowers in the treecove

and watch the trapeze wave performers misunderstand goodbye

the knotting in your head tugs the vacant blue cubes from the river

into the quick of the lance marrow

as in

the lance of the quakemarrow

Thursday, July 10, 2008

Be a part of the first ever O SWEET FLOWERY READING

That's right! If you live in or around New York City, join us in an awesome reading with poetry, robots, and flowers. Space is still a bit on the TBD side, but you can join in now by emailing me (osfrblog@gmail.com) and letting me know you are interested. Once I have a list of poets, I can determine timeframes for everyone and let you know the super cool space we have picked out. It will most likely be in Brooklyn. Please. Join the revolution. And check out the sweet banner I made to the right. I used Microsoft Paint. -Russell

Tuesday, July 1, 2008

Russell Jaffe reads "Every Spider is Useful and Necessary"

Please enjoy this video of myself reading a poem, "Every Spider is Useful and Necessary," at a party in Williamsburg, Brooklyn, NYC, USA. From 6/27/08 http://www.youtube.com/watch?v=ZHRcdeA-qaY

Monday, June 30, 2008

Call for an international incident

What do Iceland, Poland, Spain, Croatia, India, Czech Republic, the Philippines, Brazil, the Netherlands, the Dominican Republic, Canada, Mexico, Ireland, Australia, and Fiji all have in common? Obviously, people there dig OSFR. This is just a call to those people: If you read this site, I am calling out to you: submit! It doesn't even have to be in English. As long as you like it, I like it. We like it. So send something in and be the first UnAmerican to post poems on the Floweriest Front this side of the digi-webtron. Glad to keep gettin' submissions! If you have sent stuff in and it isn't up yet, be patient! It's on it's way! Best, Russell Jaffe Editor-in-Chief

Featured Poet: David K. Tamura

"I am a poet...David K. Tamura..I have been published online at Bareback.mag
these are three different poems...
thank you for reading..." Floweries, please enjoy these three poems and the bonus fun of a font change in the first one.

Subway dawn

2/1/08

I walk a thousand subway steps

to reach for the exit

The sun warms my face

like a million deserts

The canyons of Manhattan

fade in and out.

though I see many persons

Not one is human enough to say hello

As if wandering in the deserted city

of unwelcomes

Eyes gazing downward

I find solitude in the ipod

Softly the Night

The Cars become shadows of light that slip into emptiness

I watch her drift slowly in and out of dreams

The sunset beach, crimson

The forest of forgetfulness

The path of wonder and despair lost in the fog of forever

Rain attacks the windshield like tiny drummers with sounds of their stomachs

Hitting glass

Fresh, the air becomes hallucinatory

and seductive,

and slowly it melts.

Melts my thoughts toward infinity

That infinite quiet orgasm,

that sweetness can never touch….

That night has left its gates open for me,

To once again explore and wander down

Its numerous paths and castles..

And to find that opening…

which will allow me a glimpse of Heaven

and hell, seems so far away….

Mountains

There are always mountains before me

to climb, caress and kill,

spilling narrow passages of bitter discretion.

Ghost markings guarding the passage.

Only nobility allowed to penetrate

their wishes come true…..

No admittance, intestine buried…..

the barriers always there.

Impasse, a restriction into your dreams.

We melt, fighting the extinction, the inexistence,

the forgotten, unconsciousness.

Our adherence to perservere, is our only optimism,

reassuring the belief.

The horde surges swiftly toward the

massacre.

Indifferent, uninvolved, dispassionate.

Confining our journey, our ocean crossing

leading to our hearts.

Wednesday, June 25, 2008

Featured Poet: Robert Voris

"Born in the City and County of San Francisco, Robert Voris lives and works in Brooklyn, New York. Previous writings have been published by the literary magazines New York Collective, JMWW and Slow Trains." The New York Poetry Invasion (NYPI) continues on O Sweet Flowery Roses. Please enjoy Mr. Voris' poems. Realm of Possibility

What if the East River were to freeze?

If, on one of those nights when the snow stings

Our eyes, we were able to peer through the blizzard

And found ourselves confronted with a ripple of jade

Punctured by the steel towers of the bridges?

Would we shake our heads, dizzy from drink, chapped

By the cold and trudge across the drifts to the warm den

Our bodies create in your bedding?

Whiskey winds whipping around our bones;

Stale smoke smell clings fervently to our hair, skin, moist breaths;

There’s soft cash dusted with lint in our pockets,

And perhaps I’ll rub your feet to bring back your

Circulation once we’re home;

Maybe you’ll brush melted droplets of very cold

Water out of my eyebrows;

Or could it be that this night – eve

That nature trumps all human concern –

Could it be that tonight you and I will venture

East, lace our bloodless feet into childish,

Ridiculous bladed boots and glide from Corlears

To the Kills, navigating thoughtless and carefree

Away from adult trappings out and out into wonder?

Sometimes I miss you

Sometimes I miss you.

But not always.

Occasionally I think of you.

But not every moment.

Certain nights I dream of you.

But not often enough.

When I do miss you

I think of the times

I didn’t miss you and wonder

If I’m not missing you

As much as I should.

When I think of you

I remember the occasions

I spent in contemplation of moments

With others and imagine you

Feeling slighted, if only you knew

How few are the moments I think of you.

When I dream of you

I am aware of how very long

It’s been since I’ve seen or heard from you.

This rare apparition of the you

I sometimes miss

And occasionally think of

Triggers a dread feeling:

I have misplaced you.

That you are gone

And it is my fault.

I lost you by allowing my

Thoughts to wander to moments not

Spent with you.

By missing others during the time

When I am not missing you.

By dreaming of flight

Rather than you.

This feeling lasts long after

The dream of you

Has concluded, driving me to miss you

More intensely, to spend longer

Thinking of you, until a night arrives

When I cannot sleep,

Cannot dream my pale imitation of you.

And so I put pen to page,

Attempting to place you safely

Somewhere I can find you

In those dread moments

When I panic that you are lost always.

On the sidewalks in front of the intricate

Facades and arched windows of massive

Apartment houses are piles of bulging plastic bags.

It’s trash day on the Upper West Side.

All of the pretty girls wear high boots

In this part of town, standard-issue-like.

The trees push against the bricks of their planter boxes,

As if attempting to break free and join their brethren in the park a few blocks away. Above the brown brick buildings the sky is all clouds.

No sunlight permeates them, no nourishing water falls from them.

They are plain gray, as lifeless as the concrete.

In the park the dead leaves rustle in a shallow breeze,

The water is dreary brown, the turf hard underfoot.

No birds call. Steaming puffs of breath move along

The paths beside the lake, but there is no sound of conversation, nor of play.

The cloudy exhalations dissipate quickly in that breeze

That rustles the dead leaves – the only sound.

It is but a few minutes past four and yet night is falling.

The lamps are lit, but no life congregates.

In this chill there are no readers, no insects;

There is hollow light and silent cold.

Midtown and the millions of dark windows

High above the cab-crowded streets.

Smokers huddle in doorways,

Tourists gather to gaze upon impossibly expensive baubles

And no bell, silver or otherwise, can be heard.

The towers, the glass and steel ever-erect

Cocks of capitalism, create canyons.

Upon these walls , the horns, voices, sirens echo unrelentingly.

The winter wind is funneled down, cutting through coats,

Whipping scarves every which way.

Coffee cups clatter, caught in the bitter gusts and tossed

From their perches atop the overflowing litter baskets.

Votive candles glitter invitingly in expensive

Restaurants and the churches are all closed.

The waters of the East River swim their languid

Course to the sea alongside the impassive

Obelisk that is the United Nations building.

Across the street in an abandoned playground

A lone man in a tattered coat tips a bottle in a tattered

Brown bag to his lips. He sits on a bench, bathed in beer-hued streetlights.

Noxious fumes from the FDR.

Foul scents from the river.

The river red-wine dark, flowing.

The headlamps white-wine light, unmoving.

Stuyvesant Town, each of its buildings larger than any address uptown.

Combined with Peter Cooper Village, some 50,000 souls

Call this quarter mile square of the island home.

Size is but one part of might, though, and here the facades

Bear no adornment, the windows are simple rectangles

And the grocer and wine shop are

Replaced by the deli and liquor store.

The crowds are just as substantial here, but the full-length

Wool coat has given way to hoodies under beat-up

Leather jackets or layer upon layer of hole-riddled sweaters.

Haircuts seem to have been done by razor, if at all.

Hands are pierced, faces tattooed.

The low, old buildings bear intricate

Spraypaint tattoos, pierced by fire escapes.

Street vendors display gloves, knit caps, but no one’s buying.

The folks down here all already look exactly as they want.

Men in tight jeans shiver alongside

Women in bright coats, all of them sucking smoke.

Whether unaware, uncaring or unbelieving

Of the consequences, they inhale and exhale,

Shaking in the cold, drawing no warmth from their small fires.

Outside the subway stairs there are men

Hawking half-price newspapers. No one buys.

Those that care about the news know the stories by now;

Those that don’t know the news by now don’t care to.

Chinatown keeps expanding.

Little Italy’s three-block toehold remains,

But the smell of hoisin surrounds it.

Lower East Side streets bear the aroma of plum sauce

When once they reeked of nothing whatsoever.

Downtown towers are as depressing

As their Midtown cousins are impressive.

They are equally reminiscent of hard-ons,

But down here it’s the cadaver’s erection.

No windowshoppers, no champagne lounges,

Just security guards, bored and lonesome.

The sky remains implacable.

It is full night and the cloud-cover gives as little

To the moon as it did to the sun.

Winter Wasteland

I. UWS

On the sidewalks in front of the intricate

Facades and arched windows of massive

Apartment houses are piles of bulging plastic bags.

It’s trash day on the Upper West Side.

All of the pretty girls wear high boots

In this part of town, standard-issue-like.

The trees push against the bricks of their planter boxes,

As if attempting to break free and join their brethren in the park a few blocks away. Above the brown brick buildings the sky is all clouds.

No sunlight permeates them, no nourishing water falls from them.

They are plain gray, as lifeless as the concrete.

II. CP

In the park the dead leaves rustle in a shallow breeze,

The water is dreary brown, the turf hard underfoot.

No birds call. Steaming puffs of breath move along

The paths beside the lake, but there is no sound of conversation, nor of play.

The cloudy exhalations dissipate quickly in that breeze

That rustles the dead leaves – the only sound.

It is but a few minutes past four and yet night is falling.

The lamps are lit, but no life congregates.

In this chill there are no readers, no insects;

There is hollow light and silent cold.

III. MT

Midtown and the millions of dark windows

High above the cab-crowded streets.

Smokers huddle in doorways,

Tourists gather to gaze upon impossibly expensive baubles

And no bell, silver or otherwise, can be heard.

The towers, the glass and steel ever-erect

Cocks of capitalism, create canyons.

Upon these walls , the horns, voices, sirens echo unrelentingly.

The winter wind is funneled down, cutting through coats,

Whipping scarves every which way.

Coffee cups clatter, caught in the bitter gusts and tossed

From their perches atop the overflowing litter baskets.

Votive candles glitter invitingly in expensive

Restaurants and the churches are all closed.

The waters of the East River swim their languid

Course to the sea alongside the impassive

Monolith that is the United Nations building.

Across the street in an abandoned playground

A lone man in a tattered coat tips a bottle in a tattered

Brown bag to his lips. He sits on a bench, bathed in beer-hued streetlights.

IV. MH/EV

Noxious fumes from the FDR.

Foul scents from the river.

The river red-wine dark, flowing.

The headlamps white-wine light, unmoving.

Stuyvesant Town, each of its buildings larger than any address uptown.

Combined with Peter Cooper Village, some 50,000 souls

Call this quarter mile square of the island home.

Size is but one part of might, though, and here the facades

Bear no adornment, the windows are simple rectangles

And the grocer and wine shop are

Replaced by the deli and liquor store.

The crowds are just as substantial here, but the full-length

Wool coat has given way to hoodies under beat-up

Leather jackets or layer upon layer of hole-riddled sweaters.

Haircuts seem to have been done by razor, if at all.

Hands are pierced, faces tattooed.

The low, old buildings bear intricate

Spraypaint tattoos, pierced by fire escapes.

Street vendors display gloves, knit caps, but no one’s buying.

The folks down here all already look exactly as they want.

Men in tight jeans shiver alongside

Women in bright coats, all of them sucking smoke.

Whether unaware, uncaring or unbelieving

Of the consequences, they inhale and exhale,

Shaking in the cold, drawing no warmth from their small fires.

V. LES/DT

Outside the subway stairs there are men

Hawking half-price newspapers. No one buys.

Those that care about the news know the stories by now;

Those that don’t know the news by now don’t care to.

Chinatown keeps expanding.

Little Italy’s three-block toehold remains,

But the smell of hoisin surrounds it.

Lower East Side streets bear the aroma of plum sauce

When once they reeked of nothing whatsoever.

Downtown towers are as depressing

As their Midtown cousins are impressive.

They are equally reminiscent of hard-ons,

But down here it’s the cadaver’s erection.

No windowshoppers, no champagne lounges,

Just security guards, bored and lonesome.

The sky remains implacable.

It is full night and the cloud-cover gives as little

To the moon as it did to the sun.

Tuesday, June 24, 2008

A Monster Reading in Bushwick / E. Williamsburg!

Friday June 27th - 8pm
698 Flushing Ave. #1F (1 block from Flushing stop on JMZ, 2 from Flushing stop on G)
Brooklyn (E. Williamsburg/Bushwick)
Ring buzzer!
8:00 Party Starts!!! Yes!
9:00-9:45 Live Performance
Jessica Fenton - acoustic rock
Charlie Christianson - jazz piano and voice
Malina Rauschenfels - classical cello/flute and performance
ModmylIfe - video short
Russell Jaaffe - poetry
Dan McCarthy of Incomplete Denial- rock
Paul Damon Thomas - rock
9:45-10:15 ambient music: icelu
10:15-11pm live performance
Aldo Perez and Co.
Matthew Varvil - banjo & voice
Free Love Forum- comedy video short
Patrick Ireland - Opera
Kids Creative singalong
jmtr
Blake Faulds- Dance duet
Pastor Dan and Co. - Bible message ambient music/visuals
11:00 CAKE!
11pm-11:30 ambient music and visuals: Teoh and Schoster
11:30-12:15 live music
Emily Zempel - group yoga break
jmtr
Steel Fluba and Ruth - 80's covers
Maria Petschnig - Video and performance Art
Unicornicopia - voice keyboard electronics
12:15-? ambient music etc.
Also!
Paintings by Charis Braun
Screenprinting by Chauncey Smith and Sarah Fritz
Delicious cake by Master Baker Reid Stratton
And other tasty snacks and merriments!

Featured Poet: Sean Lyman Frasier


"Sean Lyman Frasier writes and performs poetry in Harlem, NY. He has
recently appeared in the anthology West Memphis Witch Hunt and has
printed several collections with Fat Candiru Press. He was also the
first poet featured in The Horror Writer Magazine. Sean collects
pictures of proboscis monkeys and constantly daydreams of sloppy joes.
He was once a member of a vampire gang and pretends to this day that
he regrets it."

Check this out: vampires, monkeys, sloppy joes, and soaking, abyssal regret. This is a sweet flowery flower of poetry, readers! I apologize for the site delays; one must find a job by inserting their competitive proboscis into the nectary world. That sometimes means the free poetry blog doesn't get the time of day. But love triumphs:

The Duel

Main Street
hasn't changed much in a century and a half. Erase the
power lines, replace the asphalt with dust and that's pretty much it.
They built a new wing for the library, expanded it from one room to
two in 1971, but all the other buildings look the same.

Right there, in that patch of dry grass between the library and the
post office, is where Bruce MacDougal and Humphrey Clarke drew pistols
back in the summer of 1908. Only homicide in town history.

There's a clipping from the town bulletin in the library. Mr. Clarke's
obituary. There's also a picture of Mr. Clarke in the town hall at the
end of
Main Street there. Looks like a serious man, tight-lipped and
strong-jawed, like he never spoke a word in his life. Has a thin nose,
long, like a shark fin. The photograph is so aged the paper where the
eyes once were has crumbled or worn away and all you can see is the
black wood of the frame behind it.

As for MacDougal, you don't get away with killing a mayor. Especially
right in the middle of town. He was hanged next to the woods behind
the Peterson silo. Left a wife behind who used to watch my best friend
when he was young. He said she always sang. Couldn't tell if the songs
were sad or not.

There's nothing in the town bulletin or free press regarding the
reason for the duel. All we know is that they took ten paces, turned,
and fired. Mr. Clarke took the shot in the chest and fell to the
ground and coughed a bit. MacDougal frowned and put the revolver in
his holster. That's all anyone knows.

Only homicide in town history. The actual story is just a whisper now
in that patch of dry grass. They both have graves over on Rice Hill.
Opposite sides of the cemetery. I guess that's the whole story now.
Two cold stones with the dust of old flowers scattered about. An old
photo crumbling on the wall.


Vacant Railroad Tracks in
Rensselaer

As day breaks, a doe bends its neck and sniffs an aluminum can
flattened on the rail and gingerly crosses the tracks.

A bearded man stumbles over the rusted metal with a cloud of cheap rum
stink in close pursuit. Black plastic bag slung over his shoulder.
Looks wildly behind at unseen enemies, sees only his cavernous foot
prints.

Snow falls. One inch, then two on the preexisting foot. Train tracks
barely visible. A faint red-brown line of eroding metal hiding in the
snow.

Nothing moves for hours. Snow stops. Wind stops. Birds asleep or
silent. Factory hum from beyond the gray trees lining the tracks.

Camouflaged man with a bright orange thermal mask drags a fawn behind,
limp-necked, eyes moist and unblinking, a thin red trail melting the
snow.

A pale blue butterfly swings low and topples into the snow. Twitches.
Flutters forward and rests. Pushes back into the air and teeters away
on a strong gust.

Sun starts setting. Far off city lights join the darkness. The factory
hum at its unwavering pitch and volume. A constant murmur. The
countryside hangs on every word.

Night. An owl glides, digs its talons at the snow, comes up with nothing.

A light green Chevy pulls up to the tracks. Old model, mismatched
white door on the driver's side. Headlights sharp on the snow. The car
settles on the tracks. The headlights turn off.

A Premature Conclusion

We can talk all day
about who is bombing who
and what skeleton face
should be on the dollar bill
but the real question is
wh


Thursday, June 12, 2008

Featured Poet: Andrew Terhune

Andrew Terhune is a poet, father, and proud representative of the displaced South in Chicago. As a Columbia College Chicago MFA candidate, he has published work in Columbia Poetry Review, in other journals, and right here on O Sweet Flowery Roses. The baby in the photo is not him, but may very well be related to him. What's that? That's is daughter? Awww, cute, poetry website! Cute.

I Time Travel to Save You From So Many Stupid Things

You see, you have a donut

and from where you sit

my face looks like squish.

There are a few things I’d like to keep from the unspoiled world,

but I’m caught in an accidental nap

which does you no good.

I know, briefly of things that belonged to

my mother.

Lovely. Unreadable.

The shag carpet is full of plastic crumbs,

which is not why they trimmed your bangs.

Colic. Without shadow

Mine is a face that sits, pressed hard

like the plastic shell in the quarter machine

outside the grocery store, under polished

pockets of human beings wandering, walking backwards

and if we are lucky, emptiness arrives

and you will crack open the shell and throw

my face and watch it slide down, down

the glass and like a tide rushing through me

I like how it feels.

Grasshopper Police

Sister,

you’d pick the color,

and you showed me how to point my fingers like a gun

we’d shoot everything that was red.

You called it grasshopper police, lodged comfortably in the back of

our father’s Jeep Wagoneer. In the very back,

you remember – it had that false wooden paneling.

We did puzzles at the dining room table

in our first house on Crewe Street. I remember yellow walls – they almost

seemed stained and there were frilly edges on the tablecloth.

I couldn’t make anything fit, my small hands, as dull and useless as mittens.

You told me to ask Jesus for help.

Does your face still hurt from the rock I threw?

Walking the long walk from the bus stop, I was angry and you were there.

In Janesville

I am dressed like a clown.

What is this tender strangeness?

Temporary. Artificial heartbreak.

The warmth breathes over the theatre.

The concrete. The petal’s tear.

And your sour face again like a wilting flower.

What have I really done

and where do I begin?

Sunday, June 8, 2008

O Sweet Flowery Roses has moved a few doors down...



To here, New York City! I myself will be living in Bay Ridge, Brooklyn. It's like a chili pepper, but far more emotionally spicy than spicy tasting. It's a lovely little neighborhood! Too bad it will be demolished by a FLOWERY POETIC ASSAULT! And you, reader, will help lead the charge!

OSFR: PHASE 2
You are probably unsure what Phase 1 was. Well, Phase 1 was making a web blog devoted to poetry. Done! Phase 2 will be the matriculation into NYC, including joining an artist's space my new pal John runs, and reading at lots O venues.

THE FUTURE: BAH GAWD, WHAT DOES IT HOLD?
A print version of this site! First come, first served. So I want to take at least one poem from everyone who has submitted thus far and publish them in a book. This is a goal to accomplish by first quarter 2009. Also, I want to begin to run OSFR readings at the artists space, which is in Bushwick, Brooklyn. All are welcome! More to come.

SUBMISSIONS
The submission process remains the same, and poets from all over the country and world should feel free to keep doin' what yer doin!

Best,
Russell Jaffe